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By Stephanie M. Hilger

Ladies Write again explores the past due eighteenth- and early nineteenth-century women's responses to texts written through famous Enlightment figures. Hilger investigates the authorial techniques hired by means of Karoline von Gu?nderrode, Ellis Cornelia Knight, Julie de Kru?dener, and Helen Maria Williams, whose works have interaction Voltaire's Mahomet, Johnson's Rasselas, Goethe's Werther, and Rousseau's Julie. The research of those women's texts sheds gentle at the literary tradition of a interval that deemed itself not just enlightened but in addition egalitarian.

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Extra resources for Women Write Back: Strategies of Response and the Dynamics of European Literary Culture, 1790-1805. (Internationale Forschungen Zur Allgemeinen & Vergleichenden Literaturwissenschaft)

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1 (February 1997), 26–44; Mark B. Ledden, “Revolutionary Plots: Helen Maria Williams’s Letters from France,” Prism(s): Essays in Romanticism, 3 (1995), 1–13; Anne K. Mellor, “English Women Writers and the French Revolution,” in Rebel Daughters: Women and the French Revolution, ed. by Sara Melzer and Leslie W. Rabine (New York and Oxford: Oxford UP, 1992), pp. 2 (Spring 1988), 99–103; Richard C. Sha, “Expanding the Limits of Feminine Writing: The Prose Sketches of Sydney Owenson (Lady Morgan) and Helen Maria Williams,” in Romantic Women Writers: Voices and Countervoices, ed.

Yet, again, she is careful not to appear immodest: she prefaces the poem with the remark that “even where the talents of the poet are altogether inadequate to the acquisition of fame, the cultivation of them may still confer the most soothing enjoyment” (Julia, I, 13–14). Williams strategically echoes her contemporaries’ interpretation of Julia’s 32 48 Deborah Kennedy, “‘Storms of Sorrow:’ The Poetry of Helen Maria Williams,” Man and Nature: Proceedings of the Canadian Society for Eighteenth-Century Studies, 10 (1991), 77–91 (p.

Politically vocal women especially were portrayed as the feminazis of their time. 30 Perceived national disloyalty was cast as a gendered defect, as was straying from the discursive ideal of feminine propriety. Helen Maria Williams, a British woman who reported sympathetically on the French Revolution, was viewed as a Jacobin supporter and described as a “strumpet”; Julie de Krüdener, who advised the Russian emperor Alexander I to draw up the Treaty of the Holy Alliance, was labeled a “whore”; Ellis Cornelia Knight’s precarious position at the English court made her an object of disdain when she insisted on financial remuneration from the prime minister; and Karoline von Günderrode was accused of being too philosophical and not poetic enough in her Mahomed.

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